Writing. Materials – Plastic/Metal


The JAKU pen is made from recycled aluminium and has a satin finish that gives it a modern look. Fitted with a push-in clip that also acts as an automatic mechanism. The G2 type nib with a writing thickness of 1.0mm provides soft and smooth writing, ideal for everyday use. The lightweight construction and smooth body surface enhance writing comfort. JAKU is a functional promotional gadget with a subtle, technical character.


The JAKU pen is made from recycled aluminium and has a satin finish that gives it a modern look. Fitted with a push-in clip that also acts as an automatic mechanism. The G2 type nib with a writing thickness of 1.0mm provides soft and smooth writing, ideal for everyday use. The lightweight construction and smooth body surface enhance writing comfort. JAKU is a functional promotional gadget with a subtle, technical character.


The JAKU pen is made from recycled aluminium and has a satin finish that gives it a modern look. Fitted with a push-in clip that also acts as an automatic mechanism. The G2 type nib with a writing thickness of 1.0mm provides soft and smooth writing, ideal for everyday use. The lightweight construction and smooth body surface enhance writing comfort. JAKU is a functional promotional gadget with a subtle, technical character.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


60% less plastic. 100% more air. The QS40 Air turns the three-dimensionality of its surface into a new aesthetic and sustainable form. The rhythmically perforated honeycomb structure provides a clear glimpse of the inner refill.


One pen. Hundreds of ways to express what makes your brand unique. Available in a large variety of colors and customization options, from the clip to the button, the QS50 is an invitation to let creativity stream free.


One pen. Hundreds of ways to express what makes your brand unique. Available in a large variety of colors and customization options, from the clip to the button, the QS50 is an invitation to let creativity stream free.


One pen. Hundreds of ways to express what makes your brand unique. Available in a large variety of colors and customization options, from the clip to the button, the QS50 is an invitation to let creativity stream free.










